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Joshua Redman returns with his quartet, a modern tenor voice that balances post-bop fire and soulful lyricism. He moves easily from knotty lines to melodies that sing, guided by a rhythm section that can pivot on a dime. Expect sharp interplay, tunes from across his catalog, and some recent material that leans into song form. Downbeat rooms flatter this band’s dynamics, and the 7 pm start keeps the night crisp.
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"Offering many musical delights for both the seasoned jazz aficionado and the casual listener, 'Come What May' stands out in the crop of 2019's jazz releases, and might be one of the best albums of this year, period," states POPMATTERS (2019 Album Review of 'Come What May'). "It is alive, sublime, deep and exquisite in its tone and interplay... a truly satisfying album," says ALL ABOUT JAZZ (2020 Album Review of 'RoundAgain'). "Joshua Redman has delivered his finest recording to date. And that's saying something," raves DOWNBEAT MAGAZINE (2023 Album Review of 'Where Are We'). "Redman's playing is greatly influenced by funky, big-toned soul-jazz tenors like Eddie Harris, Gene Ammons, and Red Holloway, but his probing, searching qualities bring to mind Coltrane," states ALLMUSIC.